Hope Chest/How Knowledge Grows
Hope Chest/How Knowledge Grows

Type drawers and found boxes, book cover from childhood religious book, collage from 1940's science textbook (how knowledge grows was a chapter heading), mixed media assemblage box with wishbone

44" high, 39" wide, 6" deep

 

Hope Chest (detail)
Hope Chest (detail)

Note about this piece: I was raised a Christian Scientist. When I was in 8th grade family moved to a remote rural farmhouse where as a shy high school student I began writing letters as a way to maintain contact with people. I also read a great deal to imagine other places and other ways of experiencing the world. Knowledge and understanding grow and accumulate in varied and sometimes unpredictable ways.

Blue Neutral (pansy dreams of spring)
Blue Neutral (pansy dreams of spring)

Cigar box, pansy, bottles, paint brush, book binding thread, mixed media collage and hardware,

Since i started gardening about 16 years ago I have realized that my garden has become my creative space for several months of the year. My studio work happens primarily in the cooler months when the garden sleeps. They feed, balance and compete a bit with one another...like perennials.

Blue Neutral (pansy dreams of Spring) Detail
Blue Neutral (pansy dreams of Spring) Detail
Weights/Waiting (detail)
Weights/Waiting (detail)

lead fishing weights hang on book binding thread from type drawers.

Weights/Waiting
Weights/Waiting

Mixed Media assemblage with type drawer, linen book binding thread, Lead fishing weights...

14" wide, 30" tall, 2" deep

This piece was made with the Woodland Pattern gallery space in mind, where I have experienced magical readings and powerful experimental jazz/musical performances over the years.

White Sound I, II,
White Sound I, II,

Wood, Encaustic, silk tissue, graphite, Cuckoo Clock Chain, etc

total size 12" wide x 24" high x 1.5" deep

Turning and Turning
Turning and Turning

This piece is a response to the Yeats poem The Second Coming. "Turning and turning in the widening gyre"  is the first line of the poem.

Mixed media assemblage box (cigar box, wood, miscellaneous hardware, game pieces, plexi, graphite, book binding thread, gouache, shellac), 11" high, 13" wide, 2 " deep

Seven (7)
Seven (7)

Assemblage Box with graphite, collage elements, linen book binding thread, toy/game parts, dad's wood shop pencil.

10 x 20 x 2"

Note: I grew up in a family of 7 people, around an architect (dad) and loved architectural mark-making/sensibility, but never became an architect...

Seven (7) lower left corner detail
Seven (7) lower left corner detail

Assemblage Box with found objects, graphite, gouache, linen book binding thread,

10" wide x 20" high x 2" deep

Mines (mine)
Mines (mine)

Assemblage with found objects and shelf

12" wide x 18" high x 6" deep

With its playful marbles and open drawer this piece alludes to some of the more serious aspects of life as well as the innocent and fun.

installation view of poem image/poem object at Woodland Pattern Book Center
installation view of poem image/poem object at Woodland Pattern Book Center
Valuable Papers (letters to you),
Valuable Papers (letters to you),

assemblage/collage with found envelopes, graphite, linen book binding thread, bees wax, gouache, collage elements, 47" wide 14" high

I think of this piece as a book of sorts...and a love letter.

 

Valuable Papers (letters to you) detail image
Valuable Papers (letters to you) detail image
Little B (womb/wonder)
Little B (womb/wonder)

Found box, cuckoo clock housing, mixed media, intaglio print  and collage additions, baltic birch, miscellaneous hardware, bookbinding thread,

30" x 35" x 6"

 

Umbillicus
Umbillicus

Assemblage Box, found materials (hardware, antique linoleum  sample page, dictionary page, player piano roll end, jacks) graphite, book binding thread, bees wax, mixed media additions

6" wide x 11" high x 4" deep

 

Umbilicus (detail)
Umbilicus (detail)

I have long felt connection to the nautilus shell structure and have used it in my work for years. I found this dictionary illustration that called it an umbilicus. The honeycomb pattern around it came from pages of linoleum sample books that I discovered nailed up as insullation when I did demolition for a project on the attic wall of our 100 year old house.

Umbilicus (side angle view)
Umbilicus (side angle view)

at Woodland Pattern Book Center

Umbillicus (detail)
Umbillicus (detail)

Two Jacks occupy the lower chamber separated from each other by a piece of "furniture" (the wood pieces used to lock in lead type in typesetting/printing). I frequently use toy and game parts in my work...perhaps as a metaphor for a childlike spirit,  the light of which still flickers inside us as we go through our adult lives or perhaps because of the memories that they elicit.

Calliope
Calliope

Mixed Media Assemblage Box with found cigar box, acrylic and gouache, linen book binding thread, dictionary page, wooden balls, wood, collage elements.

Calliope was the goddess associated with poetry. It is also the name of a type of humming bird. I love both poetry and hummingbirds and was delighted to find this entry and engraving on a dictionary page connecting the two. A hummingbird sighting in my garden fills me with wonder.

Calliope (detail)
Calliope (detail)
Calliope (detail)
Calliope (detail)
Anomalies (serious game)
Anomalies (serious game)

Mixed Media Assemblage (type drawers, chalk line, piano parts, coaster wheel, marbles, level, paint, collage elements, plexi)

50"x 38" x 2"

 

Anomaly_detail_bottom_right.jpg
Anomaly_detail_w_expanse.jpg
Lucky
Lucky

Mixed Media Assemblage Box (found Lucky Strike packet fragment, cigar box, plexi, collage and mixed media

10" wide, 20 " high, 3" deep

Lucky (tension)....detail
Lucky (tension)....detail

12 x 6 x 3”, mixed media assemblage box

Two Sides (schematic of quiet conflict)
Two Sides (schematic of quiet conflict)

Mixed media assemblage with casters, matchboxes, graphite, enamel, miscellaneous hardware, linen book binding thread, wood, etc. 12" w x 12" x 2"

Truth in Repetition (drawn line)
Truth in Repetition (drawn line)

 12 x 14 x 2” mixed media assemblage box

In the collection of Paula Schulze

J_Osborne_Sound_Sense_2013_Vis_Text.jpg
 Obscure With Fog (for ED)
Obscure With Fog (for ED)

This piece was made in response to an invitation by artist Chris Hewitt and Gallery 224 to create a piece about the Bachmann's Warbler, a bird that has not been seen since the late 1980s and is presumed extinct due to loss of migratory habitat. I researched the lost bird, listened to recordings of its song and felt a mourning for its loss. The text is from an Emily Dickinson poem that I know and love.

Hope Chest/How Knowledge Grows
Hope Chest (detail)
Blue Neutral (pansy dreams of spring)
Blue Neutral (pansy dreams of Spring) Detail
Weights/Waiting (detail)
Weights/Waiting
White Sound I, II,
Turning and Turning
Seven (7)
Seven (7) lower left corner detail
Mines (mine)
installation view of poem image/poem object at Woodland Pattern Book Center
Valuable Papers (letters to you),
Valuable Papers (letters to you) detail image
Little B (womb/wonder)
Umbillicus
Umbilicus (detail)
Umbilicus (side angle view)
Umbillicus (detail)
Calliope
Calliope (detail)
Calliope (detail)
Anomalies (serious game)
Anomaly_detail_bottom_right.jpg
Anomaly_detail_w_expanse.jpg
Lucky
Lucky (tension)....detail
Two Sides (schematic of quiet conflict)
Truth in Repetition (drawn line)
J_Osborne_Sound_Sense_2013_Vis_Text.jpg
 Obscure With Fog (for ED)
Hope Chest/How Knowledge Grows

Type drawers and found boxes, book cover from childhood religious book, collage from 1940's science textbook (how knowledge grows was a chapter heading), mixed media assemblage box with wishbone

44" high, 39" wide, 6" deep

 

Hope Chest (detail)

Note about this piece: I was raised a Christian Scientist. When I was in 8th grade family moved to a remote rural farmhouse where as a shy high school student I began writing letters as a way to maintain contact with people. I also read a great deal to imagine other places and other ways of experiencing the world. Knowledge and understanding grow and accumulate in varied and sometimes unpredictable ways.

Blue Neutral (pansy dreams of spring)

Cigar box, pansy, bottles, paint brush, book binding thread, mixed media collage and hardware,

Since i started gardening about 16 years ago I have realized that my garden has become my creative space for several months of the year. My studio work happens primarily in the cooler months when the garden sleeps. They feed, balance and compete a bit with one another...like perennials.

Blue Neutral (pansy dreams of Spring) Detail
Weights/Waiting (detail)

lead fishing weights hang on book binding thread from type drawers.

Weights/Waiting

Mixed Media assemblage with type drawer, linen book binding thread, Lead fishing weights...

14" wide, 30" tall, 2" deep

This piece was made with the Woodland Pattern gallery space in mind, where I have experienced magical readings and powerful experimental jazz/musical performances over the years.

White Sound I, II,

Wood, Encaustic, silk tissue, graphite, Cuckoo Clock Chain, etc

total size 12" wide x 24" high x 1.5" deep

Turning and Turning

This piece is a response to the Yeats poem The Second Coming. "Turning and turning in the widening gyre"  is the first line of the poem.

Mixed media assemblage box (cigar box, wood, miscellaneous hardware, game pieces, plexi, graphite, book binding thread, gouache, shellac), 11" high, 13" wide, 2 " deep

Seven (7)

Assemblage Box with graphite, collage elements, linen book binding thread, toy/game parts, dad's wood shop pencil.

10 x 20 x 2"

Note: I grew up in a family of 7 people, around an architect (dad) and loved architectural mark-making/sensibility, but never became an architect...

Seven (7) lower left corner detail

Assemblage Box with found objects, graphite, gouache, linen book binding thread,

10" wide x 20" high x 2" deep

Mines (mine)

Assemblage with found objects and shelf

12" wide x 18" high x 6" deep

With its playful marbles and open drawer this piece alludes to some of the more serious aspects of life as well as the innocent and fun.

installation view of poem image/poem object at Woodland Pattern Book Center
Valuable Papers (letters to you),

assemblage/collage with found envelopes, graphite, linen book binding thread, bees wax, gouache, collage elements, 47" wide 14" high

I think of this piece as a book of sorts...and a love letter.

 

Valuable Papers (letters to you) detail image
Little B (womb/wonder)

Found box, cuckoo clock housing, mixed media, intaglio print  and collage additions, baltic birch, miscellaneous hardware, bookbinding thread,

30" x 35" x 6"

 

Umbillicus

Assemblage Box, found materials (hardware, antique linoleum  sample page, dictionary page, player piano roll end, jacks) graphite, book binding thread, bees wax, mixed media additions

6" wide x 11" high x 4" deep

 

Umbilicus (detail)

I have long felt connection to the nautilus shell structure and have used it in my work for years. I found this dictionary illustration that called it an umbilicus. The honeycomb pattern around it came from pages of linoleum sample books that I discovered nailed up as insullation when I did demolition for a project on the attic wall of our 100 year old house.

Umbilicus (side angle view)

at Woodland Pattern Book Center

Umbillicus (detail)

Two Jacks occupy the lower chamber separated from each other by a piece of "furniture" (the wood pieces used to lock in lead type in typesetting/printing). I frequently use toy and game parts in my work...perhaps as a metaphor for a childlike spirit,  the light of which still flickers inside us as we go through our adult lives or perhaps because of the memories that they elicit.

Calliope

Mixed Media Assemblage Box with found cigar box, acrylic and gouache, linen book binding thread, dictionary page, wooden balls, wood, collage elements.

Calliope was the goddess associated with poetry. It is also the name of a type of humming bird. I love both poetry and hummingbirds and was delighted to find this entry and engraving on a dictionary page connecting the two. A hummingbird sighting in my garden fills me with wonder.

Calliope (detail)
Calliope (detail)
Anomalies (serious game)

Mixed Media Assemblage (type drawers, chalk line, piano parts, coaster wheel, marbles, level, paint, collage elements, plexi)

50"x 38" x 2"

 

Lucky

Mixed Media Assemblage Box (found Lucky Strike packet fragment, cigar box, plexi, collage and mixed media

10" wide, 20 " high, 3" deep

Lucky (tension)....detail

12 x 6 x 3”, mixed media assemblage box

Two Sides (schematic of quiet conflict)

Mixed media assemblage with casters, matchboxes, graphite, enamel, miscellaneous hardware, linen book binding thread, wood, etc. 12" w x 12" x 2"

Truth in Repetition (drawn line)

 12 x 14 x 2” mixed media assemblage box

In the collection of Paula Schulze

Obscure With Fog (for ED)

This piece was made in response to an invitation by artist Chris Hewitt and Gallery 224 to create a piece about the Bachmann's Warbler, a bird that has not been seen since the late 1980s and is presumed extinct due to loss of migratory habitat. I researched the lost bird, listened to recordings of its song and felt a mourning for its loss. The text is from an Emily Dickinson poem that I know and love.

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